Josef Sudek

EYES By Josef Sudek

EYES
By Josef Sudek

ANNA MARIE By Josef Sudek

ANNA MARIE
By Josef Sudek

PORTRAIT By Josef Sudek

PORTRAIT
By Josef Sudek

HANDS AND BEADS By Josef Sudek

HANDS AND BEADS
By Josef Sudek

UNTITLED (WOMAN IN A LARGE BRIMMED HAT) By Josef Sudek

UNTITLED (WOMAN IN A LARGE BRIMMED HAT)
By Josef Sudek

STILL LIFE By Josef Sudek

STILL LIFE
By Josef Sudek

STILL LIFE, MADONNA AND CHILD By Josef Sudek

STILL LIFE, MADONNA AND CHILD
By Josef Sudek

UNTITLED (SCULPTURE), 1934 By Josef Sudek

UNTITLED (SCULPTURE), 1934
By Josef Sudek

UNTITLED FROM THE GLASS LABYRINTH SERIES By Josef Sudek

UNTITLED FROM THE GLASS LABYRINTH SERIES
By Josef Sudek

FROM THE CYCLE 'THE HOUSE OF THE ARCHITECT ROTHMEIER' By Josef Sudek

FROM THE CYCLE ‘THE HOUSE OF THE ARCHITECT ROTHMEIER’
By Josef Sudek

STILL-LIFE FROM THE “GLASS LABYRINTHS SERIES.”
By Josef Sudek

STILL-LIFE FROM THE “GLASS LABRYINTHS SERIES.”
By Josef Sudek

BLOSSOM, 1968 By Josef Sudek

BLOSSOM, 1968
By Josef Sudek


Josef Sudek was a Czech photographer who was born in 1896. Josef Sudek has had numerous gallery and museum exhibitions, including at the Gagosian Gallery, New York (980 Madison Avenue) and at the Museum of Fine Arts, Boston. Numerous works by the artist have been sold at auction, including ‘Sans titre (Étude de nature-morte), 1952’ sold at Sotheby’s Paris ‘Photographs’. There have been Numerous articles about Josef Sudek, including ‘Art in Review; ‘From Within” written by Ken Johnson for New York Times in 2003. The artist died in 1976.

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Josef Sudek

Josef Sudek

Josef Sudek

Josef Sudek

Josef Sudek

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Josef Sudek

Josef Sudek

From the series remembrances_ 1954

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 Josef Sudek


Josef Sudek


source:http://www.photodiodos.gr/v/library/greatphotographers/sudek/
Josef Sudek

Josef Sudek (17 March 1896, Kolín, Bohemia – 15 September 1976, Prague) was a Czech photographer, best known for his photographs of Prague.

Sudek was originally a bookbinder. During The First World War he was drafted into the Austro-Hungarian Army in 1915 and served on the Italian Front until he was wounded in the right arm in 1916. Although he had no experience with photography and was one-handed due to his amputation, he was given a camera. After the war he studied photography for two years in Prague under Jaromir Funke. His Army disability pension gave him leeway to make art, and he worked during the 1920s in the romantic Pictorialist style. Always pushing at the boundaries, a local camera club expelled him for arguing about the need to move forwards from ‘painterly’ photography. Sudek then founded the progressive Czech Photographic Society in 1924. Despite only having one arm, he used large, bulky cameras with the aid of assistants.

Sudek’s photography is sometimes said to be modernist. But this is only true of a couple of years in the 1930s, during which he undertook commercial photography and thus worked “in the style of the times”. Primarily, his personal photography is neo-romantic.

Sudek’s restored atelier in Prague – Újezd
His early work included many series of light falling in the interior of St. Vitus Cathedral. During and after World War II Sudek created haunting night-scapes and panoramas of Prague, photographed the wooded landscape of Bohemia, and the window-glass that led to his garden (the famous The Window of My Atelier series). He went on to photograph the crowded interior of his studio (the Labyrinths series).

His first Western show was at George Eastman House in 1974 and he published 16 books during his life.

Known as the “Poet of Prague”, Sudek never married, and was a shy, retiring person. He never appeared at his exhibit openings and few people appear in his photographs. Despite the privations of the war and Communism, he kept a renowned record collection of classical music.
In addition to conventional biographies of Josef Sudek, John Banville’s Prague Pictures: Portraits of a City introduces the reader to the city through the photographic lens of Joseph Sudek. Banville relates how he became enlisted to smuggle Sudek’s photographs to the United States and through his tale and the story of Josef Sudek muses on the history of Prague in its gravity and melancholy, torn by war and oppression. He re-creates the anxiety that must have faced the photographer in a city where, under Nazi occupation, landscape photography could be a mortal offense.[1]

More recently, Josef Sudek was used as a symbolic presence in Howard Norman’s novel Devotion. The protagonist, David Kozol, was a photographer and mentored under Sudek. David Kozol remarks on the melancholy that pervaded Josef Sudek’s work and a similar melancholy has settled through the novel. Sudek figures symbolically in the novel; David Kozol’s mother in law worked as a book binder and it was through apprenticeship to a book binder that Josef Sudek became interested in photography. The characters seem to be symbolically injured or emotionally broken like the one armed Sudek and visual imagery figures prominently.[2]

In 2006 the Dutch poet Hans Tentije published a bundle containing the poem: ‘Met Josef Sudek op weg door Praag’, ‘On my way through Prague with Josef Sudek’. In nine parts the poet ‘helps’ Sudek with his photography.