Mathieu K. Abonnenc

Mathieu K. Abonnenc Secteur IX B, 2015 HD video, colour, sound 41 min 58  ed 5 + 1  Production red shoes / Coproduction Centre Pompidou Metz, CAC Brétigny, Marcelle Alix

Mathieu K. Abonnenc
Secteur IX B, 2015
HD video, colour, sound
41 min 58
ed 5 + 1
Production red shoes / Coproduction Centre Pompidou Metz, CAC Brétigny, Marcelle Alix

Mathieu K. Abonnenc Forever Weak and Ungrateful (11), 2015 heliogravure, wooden frame, glass 47,4 x 30,7 cm 50 x 33,3 cm  ed 5 + 2

Mathieu K. Abonnenc
Forever Weak and Ungrateful (11), 2015
heliogravure, wooden frame, glass
47,4 x 30,7 cm
50 x 33,3 cm
ed 5 + 2

Mathieu K. Abonnenc Counani (je maintiendrai par la raison ou par la force), 2009 silver-plated ring variable diameter unique photo: Aurélien Mole

Mathieu K. Abonnenc
Counani (je maintiendrai par la raison ou par la force), 2009
silver-plated ring
variable diameter
unique
photo: Aurélien Mole

Mathieu K. Abonnenc Inventaire des objets africains de la collection Émile Abonnenc, 1931-1933, Moyen Ogoué, Gabon , 2013 black and white print mounted on aluminum print: 35 x 53 cm (85 x 67 cm framed)  ed 3 + 1

Mathieu K. Abonnenc
Inventaire des objets africains de la collection Émile Abonnenc, 1931-1933, Moyen Ogoué, Gabon , 2013
black and white print mounted on aluminum
print: 35 x 53 cm (85 x 67 cm framed)
ed 3 + 1

Mathieu K. Abonnenc Names and Surnames, 2012-2013 black and white photographic print, framed 29 x 44 cm (print) / 62 x 77 cm (framed)  ed 3 + 1

Mathieu K. Abonnenc
Names and Surnames, 2012-2013
black and white photographic print, framed
29 x 44 cm (print) / 62 x 77 cm (framed)
ed 3 + 1

Mathieu K. Abonnenc An Italian Film (Africa Addio). Première partie: cuivre, 2012 HD film, colour, sound 26 min  ed 5 + 1  production Pavilion, Leeds and Ecole des Beaux-Arts de Nantes collection MAC/VAL, Vitry-sur-Seine, F

Mathieu K. Abonnenc
An Italian Film (Africa Addio). Première partie: cuivre, 2012
HD film, colour, sound
26 min
ed 5 + 1
production Pavilion, Leeds and Ecole des Beaux-Arts de Nantes
collection MAC/VAL, Vitry-sur-Seine, F

Mathieu Kleyebe Abonnenc, Sector IX B, Sleeping Sickness Prophylaxis 2015 production still, courtesy of red shoes I SOME SHOES & Marcelle Alix, Paris

Mathieu Kleyebe Abonnenc, Sector IX B, Sleeping Sickness Prophylaxis 2015 production still, courtesy of red shoes I SOME SHOES & Marcelle Alix, Paris

Mathieu Kleyebe Abonnenc, Sector IX B, Sleeping Sickness Prophylaxis 2015 production still, courtesy of red shoes I SOME SHOES & Marcelle Alix, Paris

Mathieu Kleyebe Abonnenc, Sector IX B, Sleeping Sickness Prophylaxis 2015 production still, courtesy of red shoes I SOME SHOES & Marcelle Alix, Paris

Mathieu Kleyebe Abonnenc, Sector IX B, Sleeping Sickness Prophylaxis 2015 production still, courtesy of red shoes I SOME SHOES & Marcelle Alix, Paris

Mathieu Kleyebe Abonnenc, Sector IX B, Sleeping Sickness Prophylaxis 2015 production still, courtesy of red shoes I SOME SHOES & Marcelle Alix, Paris

Mathieu Kleyebe Abonnenc, Sector IX B, Sleeping Sickness Prophylaxis 2015 production still, courtesy of red shoes I SOME SHOES & Marcelle Alix, Paris

Mathieu Kleyebe Abonnenc, Sector IX B, Sleeping Sickness Prophylaxis 2015 production still, courtesy of red shoes I SOME SHOES & Marcelle Alix, Paris

Born 1977, Paris (French Guyana)
Lives in Metz, France

Mathieu Kleyebe Abonnenc devotes his focus to the cultural hegemonies upon which the evolution of contemporary societies is based. Through video, photography, installations, drawing, or exhibition projects, he explores the principles behind the dominant presence of pre-existing elements and events – notably those linked to imperial history and the colonies of so-called ‘developed’ countries. Many objects constitute a collective memory in which the universal principle has been tested for more than a century ago. Each of these elements needs to be constantly renegotiated in order to discover contemporary conflicts, vis-à-vis the construction of an identity, a community, a nation, and allow for the time to reinvent artistic and political action.

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