An unusual album from Kotä Records, Gopchang Leftovers incorporates multiple styles and focuses on none. The album was conceived during a residency in Seoul, but even that doesn’t explain the diversity on display. Until one listens all the way through, one cannot comprehend the overall theme.
The title refers to a Korean delicacy: intestines and vegetables. While this might not sound tasty to some, remember that Scotland has its haggis and Iceland its hákarl. As to the leftovers, they may be metaphorical; now that Fernando Visockis has returned to São Paulo, he’s left with memories and sonic samples. These form the backdrop for a set of impressions that range from the direct (Korean drumming and dialogue) to the manipulated (a 15-minute drone piece buried deep in the album). Six pieces are sampled from a video installation; one (“12zodiacsign”) samples the British composer Max Richter as he re-works an Italian symphony…
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